ABOUT THE WORK
The pumpkin is a reoccurring motif in the work of iconic contemporary artist Yayoi Kusama, as are the lined dots that permeate a great number of her pieces. Enacted as a compulsive expression of infinity, Kusama’s dots have come define an entire era of her work. The artist first introduced her spotted gourds in the Japanese pavilion at the 1993 Venice Biennale, and has produced various manifestations since. This small black and yellow Pumpkin edition is made from painted resin and possesses the same rich, textured quality found in Kusama’s two-dimensional renderings.
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ABOUT YAYOI KUSAMA
Born in 1929 in Matsumoto, Japan, Kusama briefly studied painting in Kyoto before moving to New York City in the late 1950s. Since her first solo show in her native Japan in 1952, the artist’s work has been featured widely in both solo and group presentations. In the mid-1960s, she established herself in New York as an important avant-garde artist by staging groundbreaking and influential happenings, events, and exhibitions. Her work gained widespread recognition in the late 1980s after a number of international solo exhibitions, including shows at the Center for International Contemporary Arts, New York and the Museum of Modern Art, Oxford, England, both taking place in 1989. She represented Japan in 1993 at the 45th Venice Biennale to much critical acclaim.
Yayoi Kusama’s work has transcended two of the most important art movements of the second half of the twentieth century: Pop art and Minimalism. Her extraordinary and highly influential career spans paintings, performances, room-size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures, which allude at once to microscopic and macroscopic universes.
Previous major touring surveys include those organized by the Los Angeles County Museum of Art and The Museum of Modern Art, New York (1998); Le Consortium, Dijon, France (2000); National Museum of Modern Art, Tokyo (2004); and the Museum Boijmans Van Beuningen, Rotterdam (2008). Her work was recently the subject of a large-scale and well-received retrospective, which traveled from 2011 to 2012 to the Museo Nacional Centro de Arte Reina Sofía, Madrid; Centre Georges Pompidou, Paris; Tate Modern, London; and the Whitney Museum of American Art, New York.